
December 15 @ 7:30pm
Nathaniel Rich & Colum McCann
Join us for an evening with a wild cast of Paris Review contributors including (but not limited to) Nathaniel Rich (The Mayor’s Tongue) and Colum McCann (Let The Great World Spin, Zoli, Dancer) as they read in celebration of the new anthology of Paris Review interviews and the newly-released 4-volume Paris Review interview boxed set. A boxed set, wouldn’t that make a lovely holiday gift? And you could get it signed, too. And we’ll have free wine and cheese… Oh, December 15th, come soon!
About the Paris Review Interview series:
Since 1953, when the first issue of the magazine appeared with an interview of E. M. Forster, our Q&A encounters with the great writers of our times have come to be recognized as a sort of literary genre unto themselves: the Paris Review interview. More than fifty years—and more than three hundred interviews—later, the archive continues to grow with each new issue of the magazine. In November 2006, the first volume of a four-book set of The Paris Review Interviews was celebrated by reviewers across the English-speaking world… Taken together, these conversations with novelists, poets, playwrights, essayists, biographers, journalists, and critics constitute what Salman Rushdie calls “the finest available inquiry into the ‘how’ of literature.”
About The Mayor’s Tongue by Nathaniel Rich:
“Part fable, part magical realism, with a touch of the grotesque, The Mayor’s Tongue is a delightful, literate novel about communication, or the failure thereof – the literal communication of speech and language, and the emotional communication between father and son, man and woman, friend and friend. Nathaniel Rich, the son of New York Times writer Frank Rich, has a talent for storytelling. Language, eccentricity and surrealist absurdities are his – and the reader’s – delight.” –The Washington Times
About Let the Great World Spin by Colum McCann:
“In the exact centre of this novel, poised, is a 10-page account of Philippe Petit’s preparation for his 1974 high-wire walk between the Twin Towers of the World Trade Centre. Colum McCann’s story of interlocking lives in New York is structured on either side of this interlude, and bears no direct relation to it, but it is the brief impossibility of Petit’s balancing act that holds it together. That breakfast time journey into space has, since 9/11, been widely mythologised, not least in Petit’s own account, To Reach the Clouds, and the recent documentary, Man on Wire, but it has waited 35 years for its full poetic drama to be inhabited in the sinew and cadence of McCann’s sentences” –The Guardian